NEWS • BUSINESS • LIVING • SPORTS • NEIGHBORHOODS • OPINION • EDUCATION • HEALTH • ENTERTAINMENT • TECHNOLOGY • OBITUARIES • WEATHER
Wednesday, June 8, 2005

Review
Southern Bent shows how it should be done

Vince Savaglio
Special to the Times

El Paso should be celebrating to have in its midst a true classic country band, Southern Bent, which performed last weekend at Billy Crews Restaurant and Lounge.

From the band's first song through its audience- requested encores, we were transported back to the era when Johnny Cash, Willie Nelson, Waylon Jennings and so many others ruled the airwaves, only to realize their music is truly timeless.

Southern Bent's renditions of these vintage hits weaved a spell on the entire audience. No one could keep from dancing, tapping feet to the beat or singing along. The older members of the audience relived a time when everything seemed safer with the world, while the younger members finally knew what they had missed.

What was amazing was that the audience, ranging in age from late teens to, let's just say, well into retirement age, kept growing larger as Southern Bent played into each night.

No one wanted to leave, even after Southern Bent sang its last song of the evening. I didn't have to ask for anyone's opinion of the performance. I just had to look at their faces.

During every song, all I had to do was look at the dance floor, crowded with couples of all ages dancing to the music; listen to people clapping to the beat of these songs; hear the applause after each song ended to know the audience's reaction to Southern Bent's music. Billy Crews' staffers could not remember when they had as big a crowd or a more fun crowd for both nights.

The main transporter into this eternal music time capsule was lead vocalist and guitarist Marty Smith. His easy singing style, range and raspy voice filled the air with emotions that induced an immediate response. His ease on stage placed everyone into a comfort zone, knowing we were in for two entertaining and fun-filled evenings.

Vocalist and bass guitarist Sharon Verlander added another vocal dimension, singing backup to Smith. Her voice complemented Smith's while adding a depth to each song the writers just had to have intended. Verlander also took the vocal lead for a few songs each night while perfectly harmonizing with the lead guitarist, Laura Ann Smith.

Verlander proved that a pure, powerful and emotionally ridden voice is capable of stirring up a sensitivity level in a live audience that we all sometimes forget we possess.

Musically, the stage was filled by so few and yet the sound was of so many. At times, we all wondered where the sound of the lead guitar was coming from, only to realize those sweet and solid notes were from Smith's picking. She played so effortlessly and beautifully that most thought there had to be another lead guitar player somewhere. The few songs in which she played her slide guitar prompted an outburst of applause from the audience. The rhythm section, John Waring on drums and Verlander on bass, controlled the tempo and beat to each of these difficult and different songs while never being overbearing. Smith's rhythm guitar playing took on almost a life of its own while bridging each element of the musical composition together like a fine woven thread that only a true professional can do.

It will be a long time until this writer will forget Southern Bent's adaptations of such songs as "Amazing Grace," "He Stopped Loving Her Today," "I'm Not Lisa," "Ring Of Fire" and so many others the musicians sang. Hopefully, we won't have to wait too long to hear the band perform again.

Southern Bent set the standard to a new high, and many in the audience asking where and when the band would appear again.

Our many thanks to Billy Crews for bringing us two of the most enjoyable evenings we have had in a long time.

Vince Savaglio is a longtime country music fan.